My practice unfolds at the intersection between the visible and the invisible, between matter and spirit. Working in mixed media — acrylic, graphite, and ink on paper and canvas, I construct spaces of passage, where the figure is inhabited. The body emerges as an inner territory: a field of accumulation where memory, tension, and repetition settle over time.

Rooted in my background in architecture and drawing, the work is shaped by a sustained attention to rhythm, structure, and process. The line does not describe, but maps; it does not delimit, but brings into proximity. Between gesture and construction, drawing remains an act of slow precision, a form of inner architecture.

The process carries a ritual and contemplative dimension, inviting a gradual encounter with symbolic spaces of interiority. The series form a coherent body of work in which each piece maintains its autonomy while entering into dialogue with the others, constructing a broader visual and spiritual narrative.

The palette remains restrained, while the symbolic density increases. Within this tension, the work develops as an ongoing search for a language capable of holding both structure and presence.